Home
Greek Mythology
Tiresias
Tiresias: Greek Mythology's Blind Prophet Explained
June 04, 2025

Tiresias: Greek Mythology's Blind Prophet Explained

Bronze statue of Tiresias, the blind Theban prophet, gripping his serpent-twined staff with hollow eyes gazing eternally—capturing his tragic wisdom from Sophocles' Oedipus Rex

Teiresias /teirisiəs/ also spelled as Tiresias /tairisiəs/ is a renowned figure in Greek mythology who is known to have gained blind prophecy accidently.

Tiresias raising a stone above two intertwined mating snakes in a forest—the fateful act from Ovid's Metamorphoses that cursed him to live seven years as a woman.

Once Tiresias happened to see a pair of snakes copulating (mating) on his way to Mount Cyllene. Young and wayward Tiresias hit upon a mischief and he hit one of the snakes with a stone resulting the death of female snake. The male snake cursed him and immediately;


he got transformed into a woman

and spent three hundred years as a passionate woman (some sources claim that he remained a woman for seven ordinary lives and some others seven years only, see the following refence from Metamorphoses 3.316-338).


He saw two serpents intertwined in the green wood… / Raised his staff and struck them apart— / Instantly, became a woman. Seven winters passed / Before he saw the snakes again and reversed the curse.”


One day, by chance, he (woman) came across with another couple of snakes mating on the way, hit them with a stick and killed the male snake this time. The female snake cursed him and;

Tiresias as a woman, dressed in ancient Greek chiton, striking intertwined mating snakes with a stone—capturing the pivotal moment from Ovid's Metamorphoses that reversed her gender back to male after seven years.


He reverted back to his male form. And for next three hundred years, he lived as a hunky man.


Later on, Zeus (Father of all gods & goddesses) and Hera (Mother of all gods & goddesses) once got quarreled over a disputed point;

Zeus and Hera in heated debate on Mount Olympus, gesturing toward Tiresias—the blind prophet summoned to resolve their quarrel over whether men or women experience greater sexual pleasure, from Ovid's Metamorphoses.


‘If the pleasures of love delight the gods so much,’
Asked Zeus, ‘then tell us, Tiresias, does woman
Or man find more delight in that sweet act?’
‘Woman,’ Tiresias answered. ‘Ten times more.’
— Ovid, Metamorphoses 3.316-338 (paraphrased)


Finally, they decided to call for Tiresias because he had lived as both a man and a woman for an unexpected span of time and had a lot of experience. Teiresias’ answer dazzled Hera;

 

"Of ten parts, a man enjoys one only; but a woman enjoys the full ten parts in her heart." (Essentially, women experience ten times more pleasure).

 

She got enraged for having exposed a deep ‘secret’ of women. She cursed him and stuck him blind forever. Zeus could not reverse Hera's curse. However, he compensated Teiresias by granting him the gift of prophesy and extended his life for next seven generations. He also granted him the ability to understand the language of birds and a golden staff (stick) to guide him through his blindness.

Close-up portrait of Tiresias, the blind Theban prophet, with milky unseeing eyes dramatically highlighted – embodying Ovid's paradox: 'True sight dwells where light dies' (Metamorphoses* III).

He is blind since then and possesses a unique power of prophesy. He has played a role of vital significance in:


Ancient Greek Literature

Sophocles’ ‘Oedipus Rex’, ‘Antigone’ and ‘Oedipus at Colonus’ (5th century BCE)

Euripides' The Bacchae (5th century BCE)

Homer's Odyssey (8th century BCE, Book 11)

Apollodorus' Bibliotheca (2nd century CE)

 

Roman Literature

Seneca's Oedipus (1st century CE)

Ovid's Metamorphoses (Book 3, 8 CE)

 

Modernist & Contemporary Literature

T.S. Eliot's The Waste Land (1922)

A.S. Byatt's Possession (1990)

Animated GIF of a serpent rapidly flickering its forked tongue while coiled defensively—a visceral warning against disturbing mating snakes, echoing Tiresias' fate in Ovid's Metamorphoses.

No comments